Dec 31, 2011

Giving

Photo by Bgrace

In life, you may find yourself upon a rare occasion,
The invitation to give an exquisite gift.
A gift that is the best you can give.
A gift that can only be given by you.
A gift immeasurably significant to the person who will receive it.
A gift that costs you greatly.
A gift laden with a piece of your soul.
It is something which, in the giving, will forever change you,
For you will become a person capable of giving a gift of such magnitude
Away.

This act of  bestowing is something very precious.
An impartation of beauty, of glory, which renders the giver more beautiful and more glorious,
In likeness to the Great Giver.
This act which manifests itself in the deeply appropriate, fitting, and satisfying assurance
That what is being given is pure in intention and rightness.
A gift that will only bless, not harm.

Given unto The Giver, for the sake of another, in emulation of His giving.

The gift transcends the earthy and it is the giving which is then declared eternal in value.
The giving a treasure robed in the glory of the Heavenly realm.
The giving a treasure laid up for the giver.
An act in which there will be forever joy, where the sacrifice becomes the blessing.
Sown into the earth, birthed into the heavens, kept safe, where nothing can take away its value.
Nothing can destroy it. It is an eternally existing blessing.
It matters not if the world covers it in darkness.
If the one to whom it was given values not its importance.
If man has soiled and desecrated its earthly existence, offered its back to the gift or even to the giver.
Nothing can remove it's sacredness...or make it common.

Will it be redeemed, retrieved, or repaired in the earthly realm?
Who can say?
It matters not.  It retains every measure of value in the eyes of the only One who matters.
The giver is not bound to the receiver.
Only to The Great Giver.


Dec 29, 2011

Dear Ted,

Photo (no flash allowed) of Mark Rothko Abstract #10
Taken at SAM
If you only knew
How many letters I write you in my head.
About life being less and less real,
More and more true.
Then you wouldn't think I don't think about you.

I'm watching winter's first snow fall
Through the lighted window onto the pines.
Remembering last year when we found the alpacas
Met the white sheep dog
Bought green yarn, drank red wine.

I remember the ache that rose in my soul
With the beauty I'd seen through the Portland snow
It was telling me something I didn't quite get
Real and beautiful and not time for yet.
But how do you explain what you can't know

What you see in droplets of ice that melt
At the nearness of your breath
What you hear in the silent trees that scatters
At the pounding in your chest
I'm close to the top and one step off the ledge

I'd tell you in those letters you've never read
You can't write what can't be said.
But you can feel it in the cold, and see it in white and blue
The feeling is real, and the vision is too.
But is it true?

If you want to visually visit the alpaca farm,
check out these two links.
Though it isn't nearly as lovely as in the snow.

Dec 21, 2011

You just never know what is going to happen during sermon prep...

Right up front, please allow me a few disclaimers. 
First, if you get worked up over "iffy" videos, please skip this post. (There are a few PG13 moments) (And I apologize to anti Twi-hards for the Edward and Bella scenes.)
Second, THIS HAS NOTHING TO DO WITH I SAMUEL. (Except the first video...in a loosely applied sort of way.) 
I am preparing to preach Jan. 1 and I will be talking about the tragedy of King Saul. (He is a classical example of a biblical literary tragedy.)  Anyways, after spending about 2 hours entrenched in (maybe just a tad-bit-dry) theological studies about him, I decided to google it just for fun.  I was originally looking for artwork and meandered to videos about tragedy. 
So then I discovered Christina Perri
I love these songs/videos/this voice.
She has the quality I admire most in any kind of artist.  Courage.  And I like that she's sometimes raw and sometimes whimsical.  It works for me.
Check out her whole repertoire, but here are a couple videos that, put together, string out a nice story line.  (With a happy ending, of course.) I think it's worth the time.  Enjoy.

Dec 19, 2011

A few photos


Falling
Grace is on Right with back to camera


Falling
Grace is front left
Falling
Grace is front left

Spring
Grace in a blur


Falling
Grace front left

Falling
Grace and Chris

Snow
Grace and Chris


A huge thank you to Dan Dinse for taking (and sharing) these pics.


Dec 14, 2011

COBALT The Four Seasons



Tickets Now Available
In Performance

Friday December 16 through Sunday December 18

Franklin and Marshall College's Roschel Theater

Vivaldi
The Four Seasons
Verdi
Italian Holiday

with the Children's Choir of Lancaster singing excerpts from Vivaldi's Gloria

AND Grace Bruckner will be performing too! 

Call 1888-71-tickets or go to http://www.cobaltdance.org/Events.html


I can't say enough about these dancers, their choreographers, this dance school (www.susquedance.com). 

Please support this amazing performance by coming to see them this weekend.  I know that you will be blessed.

Dec 13, 2011

What does it mean to be whole?


Photo by Bgrace

Tonight I found myself at the end of a very unusual string of experiences.  I wish I could write about them, but I don't have any words.  I have but the faintest glimpse of the lesson in them.  These words below, from the Shema, and from Evelyn Underhill, speak , I believe, more clearly in my stead. 
B

"Hear, O Israel: The Lord our God, the Lord is one." (Deuteronomy 6:4)

From Evelyn Underhill, The Spiritual Life

In all these, a power beyond themselves decided the direction of life...Things like this—and they are constantly happening—gradually convince us that the over-ruling reality of life is the Will and Choice of a Spirit acting not in a mechanical but in a living and personal way; and that the spiritual life of man does not consist in mere individual betterment, or assiduous attention to his own soul, but in a free and unconditional response to that Spirit’s pressure and call, whatever the cost may be.
The first question here, then, is not “What is best for my soul?” nor is it even “What is most useful to humanity?” But—transcending both these limited aims—what function must this life fulfil in the great and secret economy of God? How directly and fully that principle admits us into the glorious liberty of the children of God; where we move with such ease and suppleness, because the whole is greater than any of its parts and in that whole we have forgotten ourselves.
Indeed, if God is All and His Word to us is All, that must mean that He is the reality and controlling factor of every situation, religious or secular; and that it is only for His glory and creative purpose that it exists. Therefore our favourite distinction between the spiritual life and the practical life is false. We cannot divide them. One affects the other all the time: for we are creatures of sense and of spirit, and must live an amphibious life. Christ’s whole Ministry was an exhibition, first in one way and then in another, of this mysterious truth. It is through all the circumstances of existence, inward and outward, not only those which we like to label spiritual, that we are pressed to our right position and given our supernatural food. For a spiritual life is simply a life in which all that we do comes from the centre, where we are anchored in God: a life soaked through and through by a sense of His reality and claim, and self given to the great movement of His will.
Most of our conflicts and difficulties come from trying to deal with the spiritual and practical aspects of our life separately instead of realising them as parts of one whole. If our practical life is centred on our own interests, cluttered up by possessions, distracted by ambitions, passions, want—and worries, beset by a sense of our own rights and importance, or anxieties for our own future, or longings for our own success, we need not expect that our spiritual life will be a contrast to all this. The soul’s house is not built on such a convenient plan: there are few soundproof partitions in it. Only when the conviction—not merely the idea—that the demand of the Spirit, however inconvenient, comes first and is first, rules the whole of it, will those objectionable noises die down which have a way of penetrating into the nicely furnished little oratory, and drowning all the quieter voices by their din.
St. John of the Cross, in a famous and beautiful poem, described the beginning of the journey of his soul to God:
“In an obscure night
Fevered by Love’s anxiety 
O hapless, happy plight I went, none seeing me,
Forth from my house, where all things quiet be”
Not many of us could say that. Yet there is no real occasion for tumult, strain, conflict, anxiety, once we have reached the living conviction that God is All. All takes place within Him. He alone matters, He alone is. Our spiritual life is His affair; because, whatever we may think to the contrary, it is really produced by His steady attraction, and our humble and self forgetful response to it. It consists in being drawn, at His pace and in His way, to the place where He wants us to be; not the place we fancied for ourselves.
Some people may seem to us to go to God by a moving staircase; where they can assist matters a bit by their own efforts, but much gets done for them and progress does not cease. Some appear to be whisked past us in a lift; whilst we find ourselves on a steep flight of stairs with a bend at the top, so that we cannot see how much farther we have to go. But none of this really matters; what matters is the conviction that all are moving towards God, and, in that journey, accompanied, supported, checked and fed by God. Since our dependence on Him is absolute, and our desire is that His Will shall be done, this great desire can gradually swallow up, neutralise all our small self-centred desires. When that happens life, inner and outer, becomes one single, various act of adoration and self-giving; one undivided response of the creature to the demand and pressure of Creative Love.

Full Text Can be found here:
Eveyln Underhill

Dec 11, 2011

The rest of the story...

So you should know that Em and I went to find a dress Friday night.  I tried on 5.  Two of them were red and both of them fit beautifully.  But when I tried on the black one...the one with sparkles all down the front on either side, I knew that was the one. 

The Christmas Party was at the Marriot downtown Lancaster. The trees were covered in lights and decorations.  I had to admit it was beautiful.  But here's the greatest thing about the whole night.  After dinner, after the presentations, after a few "get the party going" songs, the DJ finally decided it was time for a slow dance.

And I swear I'm not making this up.  Guess what song he decided to play?
... No kidding. 
Better yet, I was engrossed in a conversation so I didn't even notice until Matt came up and whispered in my ear...."Do you hear the song?" 
So he invited me and my black dress to the dance floor where we danced to the Lady in Red song.
It was a good party.

Dec 9, 2011

The Red Dress

The Singing Butler
by Jack Vettriano

Last year's Christmas Party was incandescently awful.  Suffice it to say, the morning after,  I made up my mind that it was the last one I would be attending for quite some time...probably ever.  So when it was time to RSVP this year, I told Matt in no uncertain terms that I was not going.  He didn't argue with me.  He knew. 

So when I found out two weeks ago that he had RSVP'd for both of us I was lit
You did WHAT?!?

Now if you know me at all, you know that I don't make decisions like I did in my younger years.  I rarely ever decide about things.  I listen. So in the heat of it all, I was mad, but I wasn't completely sure I wasn't going, though I was being a bit more stubborn than usual.  I was giving Matt all sorts of qualifications.  And I can assure you, I was not nearly as reasonable as the Fairy Godmother.  After spewing out curfew criteria, alcohol limitations, unacceptable seating arrangements, and a host of foreboding obstacles, I topped my list of completely rational excuses with, "And I don't have a red dress. I'm not going if I can't find a red dress."  In B language, that means there is this part of me that has been feeling like I'm supposed to buy a red dress for some reason, but I don't know why.  So if God gives me the perfect red dress, then maybe I'm supposed to go to the party. (You can see why rational people often don't want to be my friend.)

Matt subsequently decided, (I'm pretty sure it mostly had to do with the first 3 qualifications), that it was perfectly reasonable that I stay home.  So it was settled. 

I don't know what internal movement began to unravel my resolve, but I'm pretty sure it started with this painting.  Not the real one, of course, which sold at auction for 1.3 million dollars, the highest price ever paid for a Scottish painting at auction according to Edward Winkleman.  Rather, the one I bought at my neighbor's yard sale last summer for $12.00.  It has been in my basement, out of sight out of mind, until last week.  I was cleaning, organizing, packing up stuff for Goodwill, and there it was. The sand a reflection of the setting sun, lighting the dance floor beneath their feet. The wind   blustering those around them.  The couple only aware of the dance. 

 I hung it in my dining room. 

So on Wednesday, I met Matt for a glass of Pinot Noir after taking Grace to rehearsal.  We talked about little nothings.  It was nice.  I headed home, he headed back to the office.  I texted him.

"I want you to buy me a red dress."

"So you'll go?" he replied.

"Only if you dance with me." I answered.

And of course he said, "Then I'm going to need more than one drink."

I still don't know if I'm going. There are some foreboding obstacles, like finding a babysitter at the last minute.  I'm still listening. 

But yesterday afternoon, I was emailing Matt about Grace's rehearsal schedule and he wrote me back and said, "By the way, during lunch I looked across the entire mall for a red dress...red isn't in, how about purple?"

I was stunned. I didn't mean I literally wanted him to buy me a dress...

"That was awfully sweet of you..."   

To which he replied, "After 17 years of marriage, I do what I'm told. I love you dearly."

I was thinking about it all, and suddenly I remembered the first time I wore a red dress.  It was 18 years ago.  Our Junior/Senior banquet at Cedarville College.  There was no dancing at that party. 
But you know what I remembered?  Matt bought me that dress.  That red dress. 
He had his first job out of college and I was still in school.
I saw the dress in the Macy's flier.  It had a low cut back and I remember how much Matt tried to find every excuse to put his hand on my back all night long.  (At Cedarville that was a big no no back then.) 

We've danced a lot since then.  Oh, not often on the dance floor. Neither of us are very good at that. 
But definitely on the sand.
Reminds me of this song...which I must add, is way better with just the piano.

Love you Matt.
B

Dec 5, 2011

More Fall Pics










Had these pics since late September and didn't get around to putting them up.  Love you Mai.
B